翻訳と辞書
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・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


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TASS Windows : ウィキペディア英語版
Russian Telegraph Agency

Russian Telegraph Agency ((ロシア語:Российское телеграфное агентство), ''Rossiyskoye telegrafnoye agentstvo''), abbr. ROSTA, was the state news agency in Soviet Russia (1918-35). After the creation of Telegraph Agency of the Soviet Union in 1925, it remained the news agency of Soviet Russia. Its name was associated with ''Rosta windows'' ((ロシア語:Окна Роста), ''Okna Rosta'').
==Rosta windows==
Rosta windows or satirical Rosta windows ((ロシア語:Окна сатиры Роста), ''Okna satiry Rosta'') were stencil-replicated propaganda posters created by artists and poets within the Rosta system, under the supervision of the Chief Committee of Political Education during 1919-21. Inheriting the Russian design traditions of lubok and rayok, the main topics were current political events. They were usually displayed in windows, hence the name.
The first Rosta window was created in Moscow by Mikhail Cheremnykh (1890-1962). He was soon joined by Vladimir Mayakovsky, a popular and prolific author, Dmitry Moor (1883-1946), Amshey Nurenberg (1887-1979), Alexander Rodchenko, Mikhail Volpin and others. Similar projects were performed in other Soviet cities. Cheremnykh and Mayakovsky, for example, produced a poster in 1921 satirising a French delegation led by Joseph Noulens.〔(V&A Images )〕
The design featured graphical simplicity suitable for viewing from distance and often used lubok-styled sequences of pictures according to some plot, similar to modern comics. The posters were not printed but rather painted with cut-out stencils made from cardboard. Once the required number of posters was painted, the stencils were sent to another city and put in circulation throughout the Soviet Union.
During the World War II, this approach was reproduced in Tass windows by Kukryniksy.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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